Showing posts with label girls. Show all posts
Showing posts with label girls. Show all posts
Saturday, May 21, 2011
Katy Perry's Latex Dress Collection
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Tuesday, May 3, 2011
Why?
Why did she ignore me?
Why didn't he talk anything to me?
Why did she drift away?
Why did he change?
Why? Why? WHY?????!!!
Stop thinking. Read these reasons:
---> Knows the differences:
1. Boys talk about 'events' and girls talk about 'people'.
Doesn't mean that girls never talk about things that happen lately or boys never talk about others, but that is what sometimes happen.
2. Girls express their minds, boys look for solutions.
If people's mind is like a room, then girls' mind is just like a room without partition, but boys' mind is full of partition. When they are talking, boys' focus is the 'solutions', but the girls usually talk so long (though the topic isn't that necessary or interesting) until they feel tired of talking too much.
3. Girls are 'multi-tasking', boys are 'one by one'.
Girls love doing more than one thing at once, but boys prefer do one task, then after they have finished, they continue to do another task. That's why when a girl talks to a boy when he is watching, he ignores the girl. It doesn't mean that he isn't care, but he is focusing on film that he watches. Tips: "Marry a boy who pauses the game just to text you back!" haha :P
4. Girls love asking. Boys are lazy to ask.
Not all boys are lazy to ask, but most of them are just like that. Girls ask for two reasons: first, to find informations, second, to be closer. Boys don't ask because they are SHY. But in answering questions, boy usually express their opinions, but girls tend to be careful.
---> What should we do?
1. Open mind.
Girls love talking about gossips and boys love talking about Call of Duty. LOL. When yoir partner is talking (about ANYTHING), be a good listener. Don't easily judge your boy when he is talking about a girl. And don't easily get mad when your girl talk about her exs. But for girls, this is a hint: "BOYS HATE WHEN YOU TALK ABOUT YOUR EXS." Be a good listener, don't be selfish.
2. Understanding.
Sometimes boys or girls don't want to share their privacy. Boys maybe keep silence when they are fail. Girls maybe hide their feelings. Don't force your partner when they don't want to talk. Take your time when they ask you to listen.
3. Helping each other.
When she needs you, spare your time to help her. When he calls you, take a moment to answer it. When she asks you to get a boy, well, it's up to you, wanna help her or not. LOL
Hope these helps! :)
Why did she drift away?
Why did he change?
Why? Why? WHY?????!!!
Stop thinking. Read these reasons:
---> Knows the differences:
1. Boys talk about 'events' and girls talk about 'people'.
Doesn't mean that girls never talk about things that happen lately or boys never talk about others, but that is what sometimes happen.
2. Girls express their minds, boys look for solutions.
If people's mind is like a room, then girls' mind is just like a room without partition, but boys' mind is full of partition. When they are talking, boys' focus is the 'solutions', but the girls usually talk so long (though the topic isn't that necessary or interesting) until they feel tired of talking too much.
3. Girls are 'multi-tasking', boys are 'one by one'.
Girls love doing more than one thing at once, but boys prefer do one task, then after they have finished, they continue to do another task. That's why when a girl talks to a boy when he is watching, he ignores the girl. It doesn't mean that he isn't care, but he is focusing on film that he watches. Tips: "Marry a boy who pauses the game just to text you back!" haha :P
4. Girls love asking. Boys are lazy to ask.
Not all boys are lazy to ask, but most of them are just like that. Girls ask for two reasons: first, to find informations, second, to be closer. Boys don't ask because they are SHY. But in answering questions, boy usually express their opinions, but girls tend to be careful.
---> What should we do?
1. Open mind.
Girls love talking about gossips and boys love talking about Call of Duty. LOL. When yoir partner is talking (about ANYTHING), be a good listener. Don't easily judge your boy when he is talking about a girl. And don't easily get mad when your girl talk about her exs. But for girls, this is a hint: "BOYS HATE WHEN YOU TALK ABOUT YOUR EXS." Be a good listener, don't be selfish.
2. Understanding.
Sometimes boys or girls don't want to share their privacy. Boys maybe keep silence when they are fail. Girls maybe hide their feelings. Don't force your partner when they don't want to talk. Take your time when they ask you to listen.
3. Helping each other.
When she needs you, spare your time to help her. When he calls you, take a moment to answer it. When she asks you to get a boy, well, it's up to you, wanna help her or not. LOL
Hope these helps! :)
Wednesday, March 23, 2011
Make Up Ideas Part 1
Your make up feels so monotone? Yes? Then check out these pic, we hope they can give you inspirations! :D
View more on: THIS PAGE.
Thursday, March 3, 2011
Ana Salazar
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Born and lives in Lisbon.During the 70's, she started to work on the Fashion scene, developing a new concept of clothing in
Portugal, changing completely the way of presenting fashion shows in Portugal, creating the first Fashion Events, exhibits and expositions.
Both national and international press considered her "The pioneer of Fashion in Portugal".
1978
> Starts creating collections under her name, whose are sold on her own shops and several selling points over Portugal and abroad.
1980/84
> Advanced the idea of using areas of Portuguese Fashion Fairs to promote the work of new stylists, namely the "Espaço Anos 80" at the Museu do Traje, amongst other places.
> Advanced the idea of using areas of Portuguese Fashion Fairs to promote the work of new stylists, namely the "Espaço Anos 80" at the Museu do Traje, amongst other places.
> Also worked with the textile industry, as fashion consultant.
> Created the uniforms for the hostesses of "AIR ATLANTIS" (Air Portugal) and CP-CAMINHOS DE FERRO (Portuguese Railroad Company).
> Created the uniforms for the hostesses of "AIR ATLANTIS" (Air Portugal) and CP-CAMINHOS DE FERRO (Portuguese Railroad Company).
1985
> Opened a store and showroom in Paris, considered by French magazine "Marie Claire" as one of the "New Fashion Temples".
> Opened a store and showroom in Paris, considered by French magazine "Marie Claire" as one of the "New Fashion Temples".
1987/88
> "Festival Internacionale de la Mode", in Paris - She was the Portuguese official representative.
> The only Portuguese Fashion Designer quoted on the book "LA MODE AU XXÆME SIECLE" by Florence Muller and Yvonne Deslandes. Invited to participate on the related exhibit held at the Museé du Louvre, Paris, and the Museu do Traje, Lisbon.
> "Festival Internacionale de la Mode", in Paris - She was the Portuguese official representative.
> The only Portuguese Fashion Designer quoted on the book "LA MODE AU XXÆME SIECLE" by Florence Muller and Yvonne Deslandes. Invited to participate on the related exhibit held at the Museé du Louvre, Paris, and the Museu do Traje, Lisbon.
> Invited to design accessories for the IPPC MUSEEUMS.
> Participates on the exhibition called "HISTOIRES DE MODE D'HIER ET AUJOURD'HUI" at Musée des Arts et de la Mode, in Paris.
> Participates on the exhibition called "HISTOIRES DE MODE D'HIER ET AUJOURD'HUI" at Musée des Arts et de la Mode, in Paris.
> Signs a contract with a French group, for the manufacturing, merchandise and distribution of her collections on an international environment.
> Presents her collections, twice a year, in Lisbon, Paris, Milan and New York.
> Her fashion shows appear on the international calendar of the Chambre Syndicale des Créateurs et Couturiers.
> Her fashion shows appear on the international calendar of the Chambre Syndicale des Créateurs et Couturiers.
1989
> Invited for the colloquium "L'INDIVIDUALITE DE LA MODE - CONTRAINTES ET LIBERATION", with the philosopher Gilles Lipovetsky and Dr. Manuel Maria Carrilho, Minister of Culture, at the Institute Franco-Portugais, in Lisbon.
> Invited for the colloquium "L'INDIVIDUALITE DE LA MODE - CONTRAINTES ET LIBERATION", with the philosopher Gilles Lipovetsky and Dr. Manuel Maria Carrilho, Minister of Culture, at the Institute Franco-Portugais, in Lisbon.
> Presentation of ANA SALAZAR PARFUM.
> Presentation of "ANA SALAZAR MAISON".
1990
> Invited to the exhibit "TRAJE: UM OBJECTO DE ARTE?" which took place at FUNDAÇÄO CALOUSTE GULBENKIAN.
> Presentation of "ANA SALAZAR MAISON".
1990
> Invited to the exhibit "TRAJE: UM OBJECTO DE ARTE?" which took place at FUNDAÇÄO CALOUSTE GULBENKIAN.
> ANA SALAZAR GLASSES - License for optical and sun glasses signed with the international group IDC.
> Designed the stage costumes for the "The Doll's House" by Ibsen, staged by Mário Feliciano.
1991
> Contract license with RECER for Ceramics, a project under the name "MODACERAMICA" by Ana Salazar.
> Designed the stage costumes for the "The Doll's House" by Ibsen, staged by Mário Feliciano.
1991
> Contract license with RECER for Ceramics, a project under the name "MODACERAMICA" by Ana Salazar.
> Invited to create the uniforms for the Worlds Fair EXPO'92, in Seville.
> Present at the EUROPALIA in Brussels, in the areas of fashion and objects design.
1992
> Invited by Portuguese Culture Secretary of State, Dr. Pedro Santana Lopes, to organize "The Congress of Imagination", covering several areas like Painting, Architecture, Fashion, Theatre, Opera, Cinema, Music, Science Technology, etc.
> Present at the EUROPALIA in Brussels, in the areas of fashion and objects design.
1992
> Invited by Portuguese Culture Secretary of State, Dr. Pedro Santana Lopes, to organize "The Congress of Imagination", covering several areas like Painting, Architecture, Fashion, Theatre, Opera, Cinema, Music, Science Technology, etc.
> Invited to participate on the event "Portuguese Culture" wich took place in Paris at "Menagerie du Verre", under high patronage of the Portuguese Culture Secretary of State.
> Creation of the patterns for the play "Dinis and Isabel", by António Patrício, staged by Mário Feliciano.
> Creation of the patterns for the ballet "Sereias and Lolobrigidas", staged by Margarida Bettencourt.
1993
> Invited to create an outfit for the international exhibition "VARIATIONS GITANES", witch took place at the Museé du Louvre, in Paris.
> Creation of the patterns for the ballet "Sereias and Lolobrigidas", staged by Margarida Bettencourt.
1993
> Invited to create an outfit for the international exhibition "VARIATIONS GITANES", witch took place at the Museé du Louvre, in Paris.
> Invited by Fondation Calouste Gulbenkian in Paris to make a Conference called "FASHION IN PORTUGAL".
1994
> Inaugurates an atelier in "Rua da Saudade", Lisbon, conceived to create special pieces with
personalized attendance.
> Inaugurates an atelier in "Rua da Saudade", Lisbon, conceived to create special pieces with
personalized attendance.
1995
>The "Philae Collections" invite her to create a collection of glasses, in Crystal Atlantis.
1996
> Presented the Ana Salazar perfume for men.
> Conceived and realized of a marriage dress for the exhibit "Traje de Noiva 1800-2000", at the museum of Traje, in Lisbon.
>The "Philae Collections" invite her to create a collection of glasses, in Crystal Atlantis.
1996
> Presented the Ana Salazar perfume for men.
> Conceived and realized of a marriage dress for the exhibit "Traje de Noiva 1800-2000", at the museum of Traje, in Lisbon.
1997
> "Grande Oficial da Ordem do Infante D. Henrique", an honor degree from the Republic President of Portugal.
> "Grande Oficial da Ordem do Infante D. Henrique", an honor degree from the Republic President of Portugal.
1998
> Career Award- Elite International.
1999
> Invited to represent Portugal in the inauguration of the exhibit "Balenciaga", in a European congress of the textile and participation in a conference of fashion designers, in Spain.
> Career Award- Elite International.
1999
> Invited to represent Portugal in the inauguration of the exhibit "Balenciaga", in a European congress of the textile and participation in a conference of fashion designers, in Spain.
> Award - Best Creator .
> Presentation of the Eau de Toilette Ana Salazar.
> Career Award - "Associação Moda Lisboa" .
> Opens a new store in Oporto.
> Premium Career- magazine "Maxima".
> Rita Salazar starts to collaborate in the creation of the collections, being nowadays the manager for the styling department.
> Presentation of the Eau de Toilette Ana Salazar.
> Career Award - "Associação Moda Lisboa" .
> Opens a new store in Oporto.
> Premium Career- magazine "Maxima".
> Rita Salazar starts to collaborate in the creation of the collections, being nowadays the manager for the styling department.
2000
> Invited by the "Instituto Camões" for a "12 Portrait Gallery" of representative cultural portuguese personalities, "Salon du Livre", Paris.
> Invited by the "Instituto Camões" for a "12 Portrait Gallery" of representative cultural portuguese personalities, "Salon du Livre", Paris.
> First Ana Salazar's Men collection, a partnership project with five portuguese textile industries.
> Fashion and design consultant for the "Associação Industrial do Minho" .
2002
> Publication of "Ana Salazar - an illustrated biography" by Cristina L. Duarte.
2003
> Conceives the new image for the attendance and distribution uniforms, for CTT-Correios de Portugal.
> National Design Award "Trofeu Sena da Silva" - Centro português do Design.
> Conception of the "Confraria do Maranho" uniforms.
2004
> Conception of ladies scarfs the "AML- Area Metropolitana de Lisboa".
> Concept and design for pieces of merchandising, developed to "Aquário da Madeira" .
> Launch of the new fragrance "SILÊNCIO".
> Insertion of her image in a CTT stamp collection dedicated to the most important portuguese fashion creators.
2005 > Fashion and design consultant for the "Associação Industrial do Minho" .
2002
> Publication of "Ana Salazar - an illustrated biography" by Cristina L. Duarte.
2003
> Conceives the new image for the attendance and distribution uniforms, for CTT-Correios de Portugal.
> National Design Award "Trofeu Sena da Silva" - Centro português do Design.
> Conception of the "Confraria do Maranho" uniforms.
2004
> Conception of ladies scarfs the "AML- Area Metropolitana de Lisboa".
> Concept and design for pieces of merchandising, developed to "Aquário da Madeira" .
> Launch of the new fragrance "SILÊNCIO".
> Insertion of her image in a CTT stamp collection dedicated to the most important portuguese fashion creators.
> Inauguration of the exposition "15 years Ana Salazar/Recer" in the National Tile Museum (Museu Nacional do Azulejo). Opened until 2006.
> Release of the Eyewear collection: sunglasses and optical eyeglasses.
2007
> Release of man fragance AS.
> Re-launch of AS line,the second Ana Salazar line, thats contais causal pieces and also a full range of denim jeans.
2008
> Licencing contract for Ana Salazar Home Textiles with Lameirinho, S.A.
2009
> A group of investors led by Joao Barbosa and Luis Aranha enters the group's capital Ana Salazar, in order to expand the brand nationally and internationally. Ana Salazar continues as a shareholder and as incontestable Artistic Director.
Creations:
Saturday, February 12, 2011
Roaring Twenties
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There was probably no other period in the history of female fashion as dramatic as the first three decades of the 20th century. Up to World War I, women used to wear dresses like in the picture beside. Then, in the 1920s, came the flapper look, which was similar to many modern fashion designs. We asked Stephanie Reno and Barbara Heller to tell us about those days.Stephanie Reno (96): "When I was a child, women used to wear those tight corsets to give themselves a smaller waist. And then, one day, my older sister just threw away all her corsets. She was following the fashion of the day and she started wearing simple, loose dresses. She would even wear shorts! She would put on make-up, go to parties, smoke, and drink. My mother thought she had gone completely wild!"
Barbara Heller (95): "Clothes used to be terrible in the old days-that is before twenties. My mother didn't use to wear trousers at all. My granny would always put on this horrible huge hat, decorated with flowers and feathers. She never went out without it. And then, all of a sudden, everything changed. I remember my sisters were very sporty girls - they went swimming and cycling and they would wear trousers all the time. They needed comfortable clothes."

The person who had the greatest influence on the style of the 1920s was Coco Chanel, the most famous fashion designer of the 20th century. She cut her hair short and wore trousers, so they became trendy in women's fashion. Back in the 1920s, she introduced the cardigan, the little black dress, Chanel No. 5 perfume and many fashion items that are still popular today.
Saturday, January 29, 2011
Colbie Calliat
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This post was suggested by Kiki. :)
Colbie Marie Caillat (pronounced /ˈkoʊlbi kəˈleɪ/; born May 28, 1985) is an American pop singer-songwriter and guitarist from Malibu, California. She debuted in 2007 with Coco, which included hit singles "Bubbly", "Realize", and "The Little Things". In 2008, she recorded a duet with Jason Mraz, "Lucky", which won a Grammy. Caillat released her second album, Breakthrough, in August 2009.

| Birth name | Colbie Marie Caillat |
|---|---|
| Born | May 28, 1985 (1985-05-28) (age 25) Newbury Park, California |
| Origin | Malibu, California, United States |
| Genres | Pop, Acoustic, Country pop, Folk rock |
| Occupations | Singer-songwriter, guitarist, pianist |
| Instruments | Vocal, guitar, ukulele, piano |
| Years active | 2007–present |
| Labels | Universal Republic Records |
| Associated acts | Juanes, Jason Mraz, Taylor Swift, Jason Reeves, John Mayer, Justin Young, Tim Fagan |
| Website | www.colbiecaillat.com |

How to Put On False Eyelashes
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4:11 PM
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Reference: wikiHOW
1. Trim the lashes.

2. Squeeze eyelash glue onto the back of your hand and run the eyelash along it. Blow softly from edge to edge to make the glue a little less runny to apply your lashes.
3. Pick the lashes up with tweezers and bring it as close to your natural lash line as possible.

4. Press from end to end and hold until the glue dries (30 seconds to a minute, or sometimes less depending upon the adhesive). This allows the glue to set so that when you lift your fingertips from it, the lashes won't come along for the ride
5. Press from end to end and hold until the glue dries (30 seconds to a minute, or sometimes less depending upon the adhesive). This allows the glue to set so that when you lift your fingertips from it, the lashes won't come along for the ride.
6. Fill any gaps between the false lashes and your natural lash line with eyeliner.
1. Trim the lashes.

2. Squeeze eyelash glue onto the back of your hand and run the eyelash along it. Blow softly from edge to edge to make the glue a little less runny to apply your lashes.
3. Pick the lashes up with tweezers and bring it as close to your natural lash line as possible.

4. Press from end to end and hold until the glue dries (30 seconds to a minute, or sometimes less depending upon the adhesive). This allows the glue to set so that when you lift your fingertips from it, the lashes won't come along for the ride
5. Press from end to end and hold until the glue dries (30 seconds to a minute, or sometimes less depending upon the adhesive). This allows the glue to set so that when you lift your fingertips from it, the lashes won't come along for the ride.
6. Fill any gaps between the false lashes and your natural lash line with eyeliner.
Wednesday, January 26, 2011
Johnny Ramli Collections
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3:15 AM
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Something worn is more personal and more expressive than a beautiful thing never been worn at all. Beautiful things should give the pleasure to the people who worn or used.
About Johnny Ramli:
In 2006 jewelry of Johnny Ramli were discovered by the Global Fashion. The jewelry are handmade out of highly qualified materials like oxidized silver, gold, and precious stones.
These contrasts support each other and together with the small details make the jewelry unique. His passion and use of religious icons, special escapalarios, and antique coins gives each necklace a different meaning and value. That's why you feel that each jewelry is unique and specially made for you.
After 2 years, the brand Johnny Ramli has been extended with a beautiful leather bag collection and ladies clothing. The clutches and tote bags are also quite special and recognizable. It's the same signature and use of contrasting materials. A good is the Plastica bag with snakeskin contrast parts or the clutch of leather with the wrist buckle handmade of copper. The fashionable clothing are made of high quality like the cashmere, silk, silk/linen with contrast parts in real leather.
The brand Johnny Ramli is a unique mix of pure and natural materials, refined Asian styling, spiritual meaning, and western fashion touch. This is the reason why the brand Johnny Ramli ia appreciated by travelling fashionables, people with a feeling for style but also by designers all over the world. At the moment the brand is sold in 12 different countries, from New York to Beverly Hills, London, Paris, Tokyo, and Amsterdam. The creative team of Johnny Ramli is very proud to see that many celebs-including Brad Pitt-are wearing an ornament by Johnny Ramli.
Global Fashion
Creations of Johnny Ramli:
MILANO CLUTCH from exotic lizard leather and antique coin on chain
NEW YORK CLUTCH from tie dyed white purple pyton snake leather with tassel
ROLEX BRACELET, handmade rolex silver with mixed chain and antique coin
NEWSPAPER BAG, with vintage print kanvas and cow leather detail.
Also visit Johnny Ramli's site to know more about his products.
Sunday, January 23, 2011
Saturday, January 22, 2011
Agyness Deyn
Agyness Deyn (born Laura Hollins; 16 February 1983) is an English fashion model, actress and singer."
Deyn provides vocals for the single "Who" by Five O'Clock Heroes as well as featuring in the video. The single was poorly received by NME, who gave it only a 2/10. The single charted at #109 in the UK. Until recently she was a member of the now defunct group Lucky Knitwear.
Visit Lucky Knitwear
Visit Lucky Knitwear
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